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‘There should be music instead of the sound of bombs’: How Mosul is using art to rebuild

The night was clear, the air thick with humidity and filled with the sounds of Vivaldi’s “Four Seasons.” It was Oct. 27 in Mosul, Iraq, and a makeshift orchestra was putting on a show — one unlike anything the city had seen for decades, one local journalist said. The orchestra — a mix of players […]

Ruby Mellen and Mustafa Salim write for The Washington Post:

The night was clear, the air thick with humidity and filled with the sounds of Vivaldi’s “Four Seasons.” It was Oct. 27 in Mosul, Iraq, and a makeshift orchestra was putting on a show — one unlike anything the city had seen for decades, one local journalist said.

The orchestra — a mix of players including a range of Baghdad professionals as well as local amateurs — drew an audience of hundreds to a plot of land where the Islamic State once trained its next generation of soldiers. For spectators and participants, it marked an artistic rebirth in a city still trying to rebuild after the militant group’s harrowing three-year rule.